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Posts Tagged Julia Child

Blog Topic: Sacre Bleu Part Deux

Posted by Chef Jim on September 5, 2009  |  Comments Off

Several weeks ago I reported in this space about a book that was making the best seller lists throughout Europe in which the author claimed that French dominance in the culinary world was beyond waning – that it was near death.

Now comes the counter-argument that claims French cuisine actually is evolving with the times. In fact, the respected chef, Eric Ripert, the genius in the kitchen at Le Bernardin in New York, lets us know that French cooking now uses far less butter and cream than ever.

Hubert Keller, who was a finalist in the Bravo TV competition “Top Chef Masters,” is another highly-regarded French chef whose recent fame centers on his healthier dishes. Daniel Boulud, Alain Ducasse, Jacques Torres and many other French chefs prove every day that they know how to modernize French cuisine.

So what is it about French cooking that, among non-foodies at least, continues to hold this lofty reputation for being fat-laden, difficult to cook, snooty, financially out-of-reach and so on?

Stereotypes.

The writers and producers of the wildly successful animated feature, “Ratatouille” gave us a peak into the classical French kitchen – hierarchical, thankless, tedious, low-paying, exacting, etc. It certainly was typical for French restaurant kitchens in the 19th and most of the 20th centuries, but that’s stereotypical now.

This is not to say that the traditions, techniques and mystique of the French culinary world have become passé. Au contraire.

All western culinary schools and many in other parts of the world, notably Japan, begin with knife skills developed by the French. All of the classical knife cuts have French names, such as batonette, julienne, chiffonade, and tourné, to name a few. Our cooking techniques have French names such as sauté, braise, and puree. The word restaurant is, in itself, French.

Others have tried, but no one really accomplished the cataloging and categorization and codifying of recipes and techniques the way Escoffier did more than 100 years ago. It’s still the go-to culinary bible, though other more modern reference works have been written and enjoy widespread use.

In any case, French cuisine may no longer be the dominant restaurant style, as it was for so many years. When the venerable Julia Child helped simplify French cooking for the average American cook and it became more accessible, it opened the way for other cuisines (there’s another French word) to be presented to all of us.

The notion that French food is all about fat – butter and cream for starters – is no longer true about modern French cooking. As American cuisine has evolved, thanks to the influx of scores of other cultures from around the world, so has French cuisine.

Nevertheless, when I teach a Beginners Course in cooking, I start with those knife skills that are absolutely critical if you’re going to be a serious cook. I also teach all of the various cooking techniques the French chefs perfected over the last two centuries. We dabble in other forms, too – Asian, South American, Indian, Middle Eastern – but I insist that my students master classical French technique before moving on to others.

Notice I said technique. I didn’t say ingredients. The French chefs of old achieved richness in their sauces and desserts by using butter and cream. We’ve since learned that, while butter and cream are important in many dishes, they are not critical to successful food.

When a cook learns about layering flavors, butter and cream usually become secondary, because the most important part about preparing and serving food is flavor. Not richness. Flavor. That was always the basis of French cuisine, as I understand it.

And to the French, we owe a debt of gratitude for setting that standard.

As for their politics – that’s a whole other story.

Blog Topic: That “Julia” Thing

Posted by Chef Jim on August 23, 2009  |  Comments Off

I don’t generally go to movies because following the advent of the VCR and DVD eras, moviegoers seemed to treat theaters pretty much the same as their living rooms and generally have no regard for others around them.

I also have a huge problem with those enormous tubs of overpriced popcorn and soft drinks that certain people in the theater feel obliged to chew and slurp so that everyone else is forced to listen to their boorish ways and extraordinarily bad manners.

Despite all of the forgoing, I had to make an exception for the recently-released “Julie and Julia,” a bio-pic paralleling the lives of the legendary Julia Child and the blogger-cum-gourmet cook Julie Powell.

The producers and distributors of this film have spent enormous sums promoting the movie on television, radio, and online – the new hot place to promote a la Facebook and Twitter. As a Facebooker and Twitter user as well as a TV viewer, I saw quite a number of excerpts from the movie. That Meryl Streep can morph into anyone she chooses is a given, but this was an exceptional impersonation.

And Stanley Tucci (as Paul Child) manages to find himself cast in some of the greatest food movies ever – starting with “Big Night.” Lucky guy. Amy Adams, in my opinion, is a talented actress who probably ought to stay in fantasy musicals. I think she was miscast in this film.

Nora Ephron, the director, is well-respected in food circles herself. Read her book, Crazy Salad Plus Nine, if you need proof.

Many professional movie critics have called this film a chronicle of two love stories, with food playing a secondary role. The reviews have been lukewarm, at best. Tell that to the foodies of America. To me, the food looked great. It should have. Ms. Ephron hired some very talented chefs who made every dish numerous times so that scenes could be re-filmed until the director was satisfied.

I enjoyed this movie, for the most part, but felt the ending was rather abrupt. I left the theater feeling as though I had eaten a fine French meal and had to leave before dessert was served.

Long before I considered the culinary profession as a career, I used to watch Julia Child. The food she prepared in those days seemed secondary to the character she was playing – herself. She was a funny lady and I think she knew it. Nevertheless, all of the plaudits and honorifics accorded her, as the one person who changed the way Americans cook and eat, are correct and richly deserved.

Julia Child predated Food Network by decades. She used a kitchen that was primitive by today’s standards, but proved that fine food could be prepared in any home kitchen (which is actually the premise of my weekly television show). Unlike so many of today’s celebrity chefs, she refused to endorse or be associated with any brand-name product. She also declined to put her name on cookware, knives and other kitchen equipment. She felt it demeaned her authority as a cook. It’s a quality to be admired. The economics of today, regrettably, don’t give television cooks any such luxury of choice.

Nevertheless, the legions of us who do cook on television owe our livelihoods to Julia Child and the ground she broke so many years ago. She proved that cooking could be educational and entertaining at the same time. Her own mistakes on camera became the stuff of legend, but proved that even the most seasoned cook or chef is human.

The Saturday Night Live spoof of her, performed brilliantly by Dan Akroyd (and a favorite of Julia Child’s), is replayed in the movie.

I was only casually aware of the blog that Julie Powell wrote about cooking everything in the Child masterpiece, Mastering the Art of French Cooking, and I tip my toque to her for the accomplishment.

What it reminded me of, though, was that I lent my copy of this book to someone some time ago and it was never returned and I can’t remember who borrowed it.

Happily, however, I will contribute to the royalties the Julia Child Foundation will receive when I replace my long-lost copy with a new one from the 49th printing.

When my cookbook is published, I should only be so lucky.

 

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